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dc.rights.licenseIn Copyrighten_US
dc.creatorBunnell, Natalie Ida
dc.date.accessioned2010-07-26T18:18:32Z
dc.date.created2010
dc.identifierWLURG38_Bunnell_ARTH_2010
dc.identifier.urihttp://hdl.handle.net/11021/16343
dc.descriptionThesis; [FULL-TEXT RESTRICTED TO WASHINGTON AND LEE UNIVERSITY LOGIN]en_US
dc.descriptionNatalie Ida Bunnell is a member of the Class of 2010 of Washington and Lee University.en_US
dc.description.abstractIt is my contention that Ambroise Vollard's livres d'artistes are not "mere" illustrated books, as Drucker would have it. Instead they are true artists' books in which the literary and the visual interact to create a more insightful overall experience for the reader/viewer. The livre d'artiste projects of Editions Vollard reveal, though to varying degrees, their creators' awareness of issues of semiotics and ideology inherent to the book itself.en_US
dc.description.statementofresponsibilityNatalie Bunnell
dc.format.extent102 pagesen_US
dc.language.isoen_USen_US
dc.rightsThis material is made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.en_US
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/en_US
dc.subject.otherWashington and Lee University -- Honors in Art Historyen_US
dc.titleThe Birth of the Modern Book: Re-Reading Vollard's Livres d'Artistes (thesis)en_US
dc.typeTexten_US
dcterms.isPartOfRG38 - Student Papers
dc.rights.holderBunnell, Natalie Ida
dc.subject.fastArtists' booksen_US
dc.subject.fastPublishers and publishingen_US
dc.subject.fastBook industries and tradeen_US
dc.subject.fastFranceen_US
dc.subject.fastVollard, Ambroise, 1867-1939en_US
dc.subject.fastSemiotics and the artsen_US
local.departmentArt Historyen_US
local.scholarshiptypeHonors Thesisen_US


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