dc.rights.license | In Copyright | en_US |
dc.creator | Van Riper, Tyler Hope | |
dc.date.accessioned | 2014-05-16T17:47:51Z | |
dc.date.available | 2014-05-16T17:47:51Z | |
dc.date.created | 2014 | |
dc.identifier | WLURG38_VanRiper_ENGL_2014 | |
dc.identifier.uri | http://hdl.handle.net/11021/27887 | |
dc.description | Thesis; [FULL-TEXT FREELY AVAILABLE ONLINE] | en_US |
dc.description | Tyler Hope Van Riper is a member of the Class of 2014 of Washington and Lee University. | en_US |
dc.description.abstract | In the following chapters, I will introduce two of Brian Friel's most beloved plays, Translations and Dancing at Lughnasa, focusing particularly on the playwright's use of different “languages” and his emphasis on the dichotomy between tradition and modernity as a means of exploring the playwright's ambivalence toward his subjects. [From Prologue] | en_US |
dc.format.extent | 65 pages | en_US |
dc.language.iso | en_US | en_US |
dc.rights | This material is made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source. | en_US |
dc.rights.uri | http://rightsstatements.org/vocab/InC/1.0/ | en_US |
dc.subject.other | Washington and Lee University -- Honors in English | en_US |
dc.title | "A Language Without Words": Ireland Reimagined in the Plays of Brian Friel (thesis) | en_US |
dc.type | Text | en_US |
dcterms.isPartOf | RG38 - Student Papers | |
dc.rights.holder | Van Riper, Tyler Hope | |
dc.subject.fast | English language -- Rhetoric | en_US |
dc.subject.fast | English drama -- Irish authors | en_US |
dc.subject.fast | Friel, Brian, 1948- | en_US |
dc.subject.fast | Irish language | en_US |
dc.subject.fast | Manners and customs | en_US |
local.department | English | en_US |
local.scholarshiptype | Honors Thesis | en_US |