| dc.rights.license | In Copyright | en_US |
| dc.creator | Carr, Susannah Virginia | |
| dc.date.accessioned | 2023-10-20T15:49:13Z | |
| dc.date.available | 2023-10-20T15:49:13Z | |
| dc.date.created | 1999 | |
| dc.identifier | WLURG038_Carr_thesis_1999 | |
| dc.identifier.uri | https://dspace.wlu.edu/handle/11021/36237 | |
| dc.description.abstract | Thus, it seems possible that the Lateran frescoes and the Stefaneschi Altarpiece functioned together as part of a single propagandistic campaign. Their iconographic programs certainly seem complementary. In commissioning these two paintings, the patrons may well have been simultaneously advertising the legality of universal papal authority and waging a vendetta of propaganda against the Colonna. Both churchmen and kinsmen, Pope Boniface VIII and Cardinal Jacopo Stefaneschi may well have sought to restore the family honor, as well as that of the papacy, through the persuasive power of the painted image. [From Conclusion] | en_US |
| dc.format.extent | 113 pages | en_US |
| dc.language.iso | en_US | en_US |
| dc.rights | This material is made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source. | en_US |
| dc.rights.uri | http://rightsstatements.org/vocab/InC/1.0/ | en_US |
| dc.title | The Painted Image as Paper Propaganda in Pope Boniface VIII's Struggle Against Philip the Fair and the Colonna | en_US |
| dc.type | Text | en_US |
| dcterms.isPartOf | WLURG038 - Student Papers | en_US |
| dc.rights.holder | Carr, Susannah Virginia | en_US |
| dc.subject.fast | Giotto, 1266?-1337 | en_US |
| dc.subject.fast | Boniface VIII, Pope, -1303 | en_US |
| dc.subject.fast | Philip IV, King of France, 1268-1314 | en_US |
| dc.subject.fast | Stefaneschi, Jacopo, -1343 | en_US |
